I am silver and exact. I have no preconceptions.
Whatever I see I swallow immediately
Just as it is, unmisted by love or dislike.
I am not cruel, only truthful ‚
The eye of a little god, four-cornered.
Most of the time I meditate on the opposite wall.
It is pink, with speckles. I have looked at it so long
I think it is part of my heart. But it flickers.
Faces and darkness separate us over and over.

Now I am a lake. A woman bends over me,
Searching my reaches for what she really is.
Then she turns to those liars, the candles or the moon.
I see her back, and reflect it faithfully.
She rewards me with tears and an agitation of hands.
I am important to her. She comes and goes.
Each morning it is her face that replaces the darkness.
In me she has drowned a young girl, and in me an old woman
Rises toward her day after day, like a terrible fish.


Title: The title begins the straightforward tone of the poem; providing little information apart from the main subject being the mirror. Due to the simplicity of the title, Mirror, the poem is developing the character of the mirror and its purpose. The mirror remains distinct and separate- characterized by the lack of surrounding words and likely containing thematic weight. 
Paraphrase: The poem consists of a mirror’s musings and eventually it begins to tell a story. It describes itself, who it is and the room in which it resides, and ultimately its purpose. In the second stanza, the mirror turns into a lake, retaining the same characteristics in a different form. The mirror then goes on to describe a face that transforms it, a woman who gazes deeply into the mirror and searches for her identity. She becomes angry with her reflection. Ultimately, the mirror describes the young girl the woman drowned in the mirror and the old woman that is gradually rising to meet her reflection in the lake. 
Devices:
    1. Metaphor: “The eye of a little god”- The mirror is compared to the omniscience of a god and in possession of the power to alter lives; however, it remains a “little god” and therefore its purpose remains relatively insignificant. “Now I am a lake”- Through personification, the mirror is identified as a lake- still reflective, but now capable of extending the punishment of the woman. This comparison is continued through the “drowning of the young girl” and a “terrible fish” rising up. The language is cold and grotesque, full or violence and ugliness reflecting the torture of trusting in appearances. 
    2. Personification: “I am silver and exact”- The mirror is given a voice- a voice that is honest and reflective and becomes the main character of the poem. Plath’s ability to evoke emotional connection to the mirror displays the prowess of her writing and the necessity to view the mirror as capable of feelings. Through personification, Plath ascribes to the mirror the ability to interact with the woman whose face appears in the mirror. “To those liars, the candles or the moon”- The personified candle and moon suggests a rather paradoxical idea that light is actually hiding the truth; it is distracting the woman from confronting the truth present in the mirror. 
    3. Imagery- “Terrible fish” and “drowned a young girl” prompt vivid connections to death and the bizarreness of a nightmare. The wall of “pink”
    4. Diction: “unmisted”, “faithfully”, “liars”, and basically all of the words that make up the poem. Through her diction, Plath indicates the feelings of a mirror and the gradual transformation of the woman. Each verb and “I am” emphasizes the mirror’s ability to reveal the truth and simple understanding of the complexity of the woman’s emotions. 
    5. Allusion: The second stanza suggests an allusion to Narcissus, who was destroyed by gazing at his reflection. This is a bit of a stretch, as no mention of Greek mythology is really mentioned. 
Tone: Plath’s tone is objective and honest, gradually succumbing to a slightly frustrated tone regarding the behavior of the woman. The mirror speaks and reveals personality and emotion that casts the woman as foolish and cruel. As an inanimate object, the mirror’s voice is reflective and open and therefore Plath’s tone is indicative of the mirror’s contemplative musings. The simplicity of the mirror’s speech contrasts to the gravity of its reflection and portrays the misplaced hope of the woman. The reader identifies not with the woman, but the mirror.